HEADPHONE:
DEFINITION:
Headphones (or "head-phones" in the early days of telephony and radio)
are a pair of small loudspeakers that are designed to be held in place
close to a user's ears. They are also known as earspeakers, earphones[2]
or, colloquially, cans.[3] The alternate in-ear versions are known as
earbuds or earphones.[2] In the context of telecommunication, a headset
is a combination of headphone and microphone. Headphones either have
wires for connection to a signal source such as an audio amplifier,
radio, CD player, portable media player, mobile phone, electronic
musical instrument, or have a wireless receiver, which is used to pick
up signal without using a cable.
HISTORY:
Headphones
originated from the earpiece, and were the only way to listen to
electrical audio signals before amplifiers were developed. The first
truly successful set was developed in 1910 by Nathaniel Baldwin, who
made them by hand in his kitchen and sold them to the United States
Navy.[4][5]
Some very sensitive headphones such as those
manufactured by Brandes around 1919 were commonly used for early radio
work. These early headphones used moving iron drivers, either single
ended or balanced armature. The requirement for high sensitivity meant
no damping was used, thus the sound quality was crude. They also had
very poor comfort compared to modern types, usually having no padding
and too often having excessive clamping force to the head. Their
impedance varied; headphones used in telegraph and telephone work had an
impedance of 75 ohms. Those used with early wireless radio had to be
more sensitive and were made with more turns of finer wire; impedance of
1000 to 2000 ohms was common, which suited both crystal sets and triode
receivers.
In early powered radios, the headphone was part of the
vacuum tube's plate circuit and had dangerous voltages on it. It was
normally connected directly to the positive high voltage battery
terminal, and the other battery terminal was securely grounded. The use
of bare electrical connections meant that users could be shocked if they
touched the bare headphone connections while adjusting an uncomfortable
headset.
In 1958, John C. Koss, an audiophile and jazz musician
from Milwaukee, produced the first stereo headphones. Before that, the
headphones were used only in industry by telephone operators and the
like.
APPLICATION:
Headphones
may be used both with fixed equipment such as CD or DVD players, home
theater, personal computers and with portable devices (e.g. digital
audio player/mp3 player, mobile phone, etc.). Cordless headphones are
not connected via a wire, receiving a radio or infrared signal encoded
using a radio or infrared transmission link, like FM, Bluetooth or
Wi-Fi. These are powered receiver systems of which the headphone is only
a component. Cordless headphones are used with events such as a Silent
disco or Silent Gig.
In the professional audio sector headphones
are used in live situations by disc jockeys with a DJ mixer and sound
engineers for monitoring signal sources. In radio studios, DJs use a
pair of headphones when talking to the microphone while the speakers are
turned off, to eliminate acoustic feedback and monitor their own voice.
In studio recordings, musicians and singers use headphones to play
along to a backing track. In the military, audio signals of many
varieties are monitored using headphones.
Wired headphones are
attached to an audio source. The most common connectors are 6.35 mm (¼″)
and 3.5 mm phone connectors. The larger 6.35 mm connector tending to be
found on fixed location home or professional equipment. Sony introduced
the smaller, and now widely used, 3.5 mm "minijack" stereo connector in
1979, adapting the older monophonic 3.5 mm connector for use with its
Walkman portable stereo tape player. The 3.5 mm connector remains the
common connector for portable application today. Adapters are available
for converting between 6.35 mm and 3.5 mm devices
Types:
Headphone
size can affect the balance between fidelity and portability.
Generally, headphone form factors can be divided into four separate
categories: circumaural, supra-aural, earbud, and in-ear.
Circumaural:
Circumaural
headphones (sometimes called full size headphones) have circular or
ellipsoid earpads that encompass the ears. Because these headphones
completely surround the ear, circumaural headphones can be designed to
fully seal against the head to attenuate external noise. Because of
their size, circumaural headphones can be heavy and there are some sets
that weigh over 500 grams (1 lb). Ergonomic headband and earpad design
is required to reduce discomfort resulting from weight.[10]
Supra-aural:
Supra-aural
headphones have pads that press against the ears, rather than around
them. They were commonly bundled with personal stereos during the 1980s.
This type of headphone generally tends to be smaller and lighter than
circumaural headphones, resulting in less attenuation of outside noise.
Supra-aural headphones can also lead to discomfort due to the pressure
on the ear as compared to circumaural headphones that sit around the
ear. Comfort may vary due to the earcup material.
Open or closed back:
Both circumaural and supra-aural headphones can be further differentiated by the type of earcups:
Open-back
headphones have the back of the earcups open. This leaks more sound out
of the headphone and also lets more ambient sounds into the headphone,
but gives a more natural or speaker-like sound and more spacious
"soundstage" - the perception of distance from the source.
Closed-back
(or sealed) styles have the back of the earcups closed. Depending on
the model they may block 8-32db of ambient noise, but have a smaller
soundstage, giving the wearer a perception that the sound is coming from
within their head. One reason for this is that there are sounds
reflected back towards the ea
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